When Nancy stays out there a little too long and the beast shows up, she takes refuge on the only available real estate, a tiny rock island distinguished by its sharp edges and coral, on which she severely cuts a leg. The med-school background comes in handy here, as itвЂ™s evidently taught her to (unconvincingly) suture a deep wound with the ear pins she conveniently wears. ThereвЂ™s a large whale floating about nearby whose bloody open wounds prove enticing to the shark as well as to many birds.

The next day, Nancy is unable to warn the returning two dudes about what awaits them in the surf.Д«ox-Office Preview: 'Independence Day: Resurgence' a Huge Wild Card And when the shark becomes frustrated by not quite managing to sink its many teeth into its blond main object of desire, it delivers capital punishment to a tubby drunk for the crime of trying to make off with NancyвЂ™s backpack on the beach. While the film itself may jump the shark early on, a scene of the menace jumping the rock like a crazed seal in pursuit of its main course is saved for shortly before the murky underwater action climax, in which itвЂ™s impossible to discern whatвЂ™s going on. ThereвЂ™s no catharsis here, only confusion on top of shrugging shoulders and, after a brief one-year-later postscript, eye-rolling. The abundant danger and physical pain endured by the lead character intermittently calls to mind the suffering depicted in 127 Hours, but this comparison only works to the present picвЂ™s detriment. That said, a generous measure of sympathy cannot be denied to Lively, who is entirely game for the heavy rigors obviously demanded of her in the water and on the rocks. The camera is in her face and all over her body all the time. It was a gamble on her part, whether she could withstand the close scrutiny of a camera alone onscreen the majority of the time, like Robert Redford in All Is Lost or, to a lesser extent, Matt Damon in The Martian.

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